There is an introductory offer of 99 USD but it will eventually retail at 249 USD. The plugin is designed for Windows and Mac systems in VST, AU and AAX Native formats. This conveniently places two of the H910’s together, either with independent, linked or inverse processing for building stereo effects quickly. Many producers often used two Harmonizer’s for stereo processing, so with the new plugin you now also receive a ‘H910 Dual Harmonizer’ version.
Having managed to achieve a like for like emulation of the hardware, and included all the usual plugin benefits with UAD, there is one other feature that they’ve added with this Native release. What’s more, they’ve added a dual channel mode new with this release. Far be it for me to say, but speculation suggests that this Eventide only version is extremely similar in sound, due to Eventide’s strong part in the development. Being a UAD plugin you’d be right to assume the high quality and striking emulation of the real thing. It was even used creatively in post production and is possibly responsible for what we all now consider a robot voice to sound like.Įventide already developed a plugin version of the H910 with UAD for the UAD platform. Most importantly though, probably due to it’s low resolution processing, it had a unique sound which we’ve learnt to love. In fact, the scope for different results from this unit is still more radical than some of the plugins we have today.
#Eventide h910 harmoizer series
The H910 sports a series of pitch shifting, modulation and delay effects with interesting feedback methods. What does the H910 do? Well, Tony Visconti says the H910 “f*cks with the fabric of time”.
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